The Day The Comic Book Died

When I first was out raising money for Graphicly, I got to meet comic book publishers.

At each meeting, I asked the same question, “What do you think of digital?”

And each one answered the same.

“There are more people pirating my comic books than there are buying them. Perhaps as high as 5 to 10 times.”

The comic book industry, which saw its heyday in the 1990s, when highly successful books would sell in the hundreds of thousands, is now ecstatic if a book sells even fifty thousand.

Online piracy has absolutely decimated the industry.

How bad is it?

Comic books come out every Wednesday. By the time I wake up in California, I can already download most of the books that came out earlier that day on the East Coast.

Its not the big guys, Marvel and DC that get squeezed. It not even the little guys–although most will never see a publisher print their book–that are getting smashed, its the publishers in the middle like Image Comics and Archaia that are feeling the vast weight of piracy the most.

Piracy, on many levels, is helping to drive more market share to the top guys, Marvel and DC (both backed my billion dollar companies that aren’t as sensitive to the success of individual books or creative teams), and eliminating the necessary diversity required to ensure a healthy industry.

As Graphicly has grown, we have seen it time and time again. Small and mid-sized publishers struggling for consumer awareness and acceptance in a world dominated by Spiderman and Batman. As diversity dies, so does the ability for the industry to sustain growth.

Every once in awhile a great story like The Walking Dead will break out, but thats not the norm. Interestingly enough, I would say that the pressure piracy places on the mid-tier publisher has actually driven them to become more creative in order to rise out of the shadows of the big guys, but its not easy.

There is no other way to say it, but that piracy is probably the biggest single digital issue facing the comic book industry.

But SOPA and PIPA are not the saviors that “old media” companies hope it will be.

Giving the government carte blanche to censor sites and control the flow of information will cause more damage, deeper damage, long lasting damage to the industry that I have grown to love. The publishers and creators that Graphicly works to support will be hurt in ways that I personally, cannot be a part of.

There are better ways to end piracy. We can improve access. We can develop a platform that allows publishers and creators to be as creative with the distribution, pricing and promotion of their work as they are with the stories themselves. We can help fans discover great stories easily, simply — no more difficult than clicking on a link — removing the burden of surfacing great content.

We can help connect publishers and creators directly to their fans — and believe you me, pirates are some of the biggest fans in existence, as crazy as that might sound — so that those fans can show their support directly to the stories and creators they love.

On January 18, my blog will be censored. I personally am standing next to many of my friends, mentors and colleagues by doing this.

I have also decided to not blackout Graphicly.com.

I made this decision, because we have thousands of creators and publishers that are making real money distributing their stories in a “new media” style, that it would be wrong to deny that. And, more importantly, the access and discovery it provides to great stories are paramount in the fight against piracy, even if “old media” doesn’t understand it.

I am ardently apolitical, yet stopping SOPA and PIPA is exceedingly important, so important, that I have written about politics for the first time ever in the several years this blog has existed.

I want piracy to end.

I want all the story-tellers that should be discovered to be found. I want them to get paid, and I want their fans to get unending enjoyment out of supporting their work.

But, I won’t stand for censorship.

An Open Letter to Print Publishers

Hi.

You may not know me, but you will. My name is Micah, and I run a startup called Graphic.ly. What is Graphic.ly? Well, we provide an immersive social experience and marketplace around digital comics and associated merchandise.

Yes, that means I love comics, and yes I know that you think your fashion or automotive magazine is of a different class than my Spiderman or Superman comic. Yes I know that you have millions of dollars and have been around for a long time. And  you have created really cool concepts around digital media.

Its those concepts that makes it crystal clear that you just dont understand digital content and its distribution.

Over the last several months, I have spoken to hundreds of comic creators, dozens of publishers and (literally) thousands of members of the comic community. I have watched with interest at the excitement around the iPad and other tablet devices. I have watched the demos, played with the machines, talked to the developers.

Its that excitement that makes it plain that you just dont understand digital content and its distribution.

As long as digital is viewed as another distribution channel, you will lose. As long as the belief is that people are so tied to the print format, that the only way to “do digital right” is to replicate the print experience, you will lose. As long as you believe that the addition of multimedia features and “bonus” material is world changing, you will lose.

The winners in the digital space will understand that tablets, netbooks, phones, projectors, and every possible display device are just that: form factors. The devices themselves will not revolutionize an industry. There will not be millions of people buying tablets just so that they can read your magazine or comic book.

Yes, the Kindle is a runaway success. But it does two things and only those two things well. It makes it easy to carry dozens and dozens of books and makes its easy to read. I hope the kindle never goes color. I hope it doesnt become a swiss army knife. I hope Amazon continues to innovate the right way.

You want to win? It’s easy. Create for digital. Expand your vision beyond the printed page. Think about all the amazing things that digital gives you. Want to change the story on the fly? Digital can do that. Want to allow your readers to engage within the story itself? Digital can do that. Want your story to actually move? Digital can do that.

Imagine a world where your readers are not consuming but engaging with your content. Digital can do that. Imagine a world where you can connect directly with your fans. Digital can do that. Imagine anything. Digital can do that.

Page flip animations will not make more people buy your comic book or magazine. Form factors will not drive sales up. Portability will not attract people back to your publication.

Creative innovation will.

Sincerely,

Micah Baldwin

CEO and Chief Community Caretaker

Graphic.ly

720-231-7120

@micah

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Why I Chose to Work at Lijit

I am beginning to really like the Skribit widget in my sidebar. It allows people to leave suggestions on topics I should write about. What’s interesting, is sometimes the suggestions are things that I either never thought of, or are topics that I have shied away from.

The other day, “what are the top reasons to use Lijit?” showed up. I cringed because I have really tried to keep my work life out of my blog. I dont want this to become a place where I shrill companies I am involved with, either as an employee (like Lijit), investor or advisor.

The right place for that, in my mind, is on those companies blogs.

But, I thought an interesting twist on the topic would be to answer the question of why I chose to work at Lijit. And, I might take the oportunity to list a couple of the top reasons the Lijit widget is a necessary tool for publishers. ;)

After selling my company, I went to work for the acquiring company, with the intent to work there for approximately a year. Then we would evaluate the situation and figure out what the next best move for me and the company.

As the year came to a close, it became apparent that the best move was for me to walk away. Not because there was anything inherently wrong with the situation, but because I had provided all the value I could and sticking around was not helpful to anyone.

When evaluating opportunities (which ranged from starting a new company to joining a growing startup), I met Todd Vernon, CEO of Lijit. To be honest, I met Todd through Tara, who reached out to me after installing Lijit on my blog. I had a client that I felt Lijit fit with, and we (Todd and I) spent some time together discussing the possibility.

After a little while, it became apparent that my skill set fit with Lijit, and Lijit was in need of someone with my skill set.

Initially, I balked at the idea of working for someone else (I had been on my own for 5 years building Current Wisdom), but at the same time, I was exhausted from running my own company, and was hesitant at the propsect of starting another company so soon.

Also, my long term goal is not to be a serial entrepreneuer. I dont want to start multiple companies over and over again. Rather, I have a strong desire to move to the investment side of the equation, and after talking with my mentors, it became clear that the best decision for me was to join Lijit. So I did.

To date, it has been a blast. I have been able to shape the product, bring in some decent deals (you may have read about one in TechCrunch), and really be a positive member of a growing team.

I have seriously learned a ton from so many people. Every day I wake up with a wierd mix of excitement to talk about Lijit both internally and externally, and straight fear that somehow I am not going to push the business forward that day.

How do we pitch Lijit? (you can skip the rest if you dont want to hear my pitch).

When I started to pitch Lijit to publishers, we worked through several messages, and it became quite clear as to what the real benefits of using Lijit for a publisher are:

1) The ability to aggregate all the publisher’s social content and trusted sources and make it searchable, creates a better search experience for the reader. Content that would be buried in Google is uncovered. After all, Google wants to index everything; Lijit just indexes what important to the publisher, and all that content is trusted by the reader.

2) The “re-search” function (do a search on google for “iphone flip” and click on my blog post. You will see re-search in action), helps to drive reader engagement by presenting additional content items, which reduces the times a reader clicks the back button.

3) Deep analytics around search behavior. My favorite is the section about “searches that return no results.” Similar to Skribit, I am learning inherently things that my readers want me to write about.

There are other benefits, such as our flexibility around the widget design itself, and the corresponding lightbox, but those are the three main items we discuss with publishers, and they are important, especially if you have a publication that gets a fair amount of traffic, as re-search and our improved contextual search drive more engagement and page views.

But, for me, there is one overriding reason why I like what we are doing at Lijit and why I think we are a perfect fit for all publishers.

Lijit understands that our purpose for existing is to increase the value of the publisher to its readers.

Meaning, for us to be successful, the publisher has to be successful. I see so many other widgets that really only provide value AFTER the publisher is successful. Rather than sharing in the journey, those widgets enjoy the spoils of success. This is why so many publishers hate widgets. The widgets provide no real intrinsic value.

So, the final answer as to why I work at Lijit is:

We are publisher focused. We understand that the publisher’s job is to provide value to their readers and Lijit’s job is to make the publisher’s job easier.

(And our shirts are comfy.)

If that makes any sense.